The Remarkable Rise
of
Fashion's Unexpected Star

All Images Courtesy of Joshua Pasquale

Josh Pasquale wearing Straight jacket couture with upcycled Victorian era shirt and anti-paparazzi sleeves | Designed by Emma Gilles | Vivien Sophie | Styled by Josh Pasquale
Craft, Collaboration, and Canadian Roots

Canadian fall is a palette of myriad colours, each leaf telling a story of transformation. Pasquale’s journey mirrored this sentiment. He shares that deeply rooted in the Canadian ethos, “Canada’s diversity has always deeply impacted me. If you look at my fashion, I love to transform into different concepts and places; it’s why I’ve always been called a chameleon. That’s why my logo and motif is a chameleon. I truly believe the variety and diversity I’ve been a part of in Canada reflect my need to transform. I also say that my rise to fashion has been a lesson in persistence, which I believe to be very Canadian. Canadians are the turtles that win the race.”

Josh Pasquale in Canadian alien couture | Face piece by Manic Rhinestone | Outfit by L’Uomo Strano | Bag by Myth House

“I truly believe the variety and diversity I’ve been a part of in Canada reflect my need to transform.”

Muslin fabric couture | Designed by Giulia the Label and Vivien Sophie | Model Iryana Thater | Styled by Josh Pasquale

Over the years, I’ve witnessed thousands of stories unfold on the fashion stage. While every story has its charm, some tug at your heartstrings, reminding you why you fell in love with fashion in the first place. Today, I’m spilling the tea on a tale that embodies that emotion in this digital age, which has radically transformed many industries, and fashion is no exception. An email notification diverted my attention as I sat down with my evening cup of Green Tea, watching the fall leaves playfully chase each other to the ground. It was a detailed account of an uplifting story: how a fashioner, equipped with the powerful tools of our digital age, had crafted a space for himself in the esteemed corridors of global haute couture.

Josh Pasquale, a rising star in the fashion world, described the moment vividly: a regular evening turning extraordinary with one Instagram notification. Vivien Sophie, a name revered in fashion circles, had reached out. This was an anticipated surprise for someone who’d spent months honing his craft, targeting the creme de la creme of the fashion world.

The digital world is vast, but he knew where he belonged. With cities like Paris, Milan, London, and Berlin on his radar, this Canadian fashion aficionado harnessed his digital marketing prowess to position himself amidst European fashion stalwarts. This approach wasn’t random; it was the culmination of his years mastering the digital labyrinth.

Model and show opener Marble Nyathi and CEO Vivien Sophie | Hat by Canadian milliner Imagomillinery | Styled by Josh Pasquale

Pasquale’s synergy with Canadian artists L’Uomo Strano and Imagomillinery’s Sebastian Blagdon paints a vivid portrait of his commitment to his roots and his homeland’s eclectic spirit. “L’Uomo Strano is a good friend of mine. I was always a fan of his work because he’s a Black, queer Canadian artist who is authentic. Something I always respect,” he shared, his words resonating with admiration and reverence. 

Josh Pasquale and Salomé at the Tranoi Party | Palais Brongniart, PFW
My rise to fashion has been a lesson in persistence, which I believe to be very Canadian. Canadians are the turtles that win the race.”
Sebastian Blagdon of Imagomillinery, another pillar in his Canadian fashion constellation, played a pivotal role. “His beautiful upcycled hats completed the looks perfectly,” he reminisced, his voice imbued with gratitude. For him, championing Canadian talent was non-negotiable, “It’s very important for me also to support other Canadians in fashion because even though there’s a lot of Canadian fashion talent, we often get overlooked. Someone helped me get to Paris, so the least I could do is feature the work of Canadians I truly believe in.” Dedicated to ensuring that the nuances of his homeland were evident, he sought out Canadian creators who resonated with his philosophy, weaving the vibrant tapestry of Canadian craftsmanship into Paris Fashion Week.
CEO Vivien Sophie with model Alex | Vivien in Giulia the Label, Alex in seatbelt origami shoulder pieces by Emma Gilles of Crafty Wink Clothing | Both styled by Josh Pasquale.
Josh Pasquale after the show with Vivien Sophie and Emma Gilles
Sustainability – An Unconventional Approach

Pasquale and Vivien Sophie embarked on a mission in a world grappling with sustainability. Their designs weren’t just about aesthetics; they were narratives of recycled elegance. Emma Gilles of Crafty Wink Clothing, a fellow revolutionary in this green crusade, brings her flair for the unconventional to the runway. “Her designs included things like recycled origami seatbelts, upcycled vintage clothes, and even upcycled vintage Dior tulle she happened to have in her archives,” he shares, his words resonating with admiration and joy.
In his eyes, sustainability is the future, and through his designs, he aspires to lead the charge, ensuring that the legacy of fashion is as green as it is glamorous.

Glam Parisian masked vigilante | Designed by Ennici and Vivien Sophie | Model Salomé Chaboki | Styled by Josh Pasquale

The Multifaceted Maestro

Stylist, model, and designer – wearing these hats isn’t easy, but it’s a challenge he embraced with zeal. His earnestness in ensuring each role’s sanctity was evident. Vivien Sophie’s faith in him wasn’t misplaced; he not only designed but also took to the runway, adding another dimension to the show.
Naomi Campbell’s fierceness and Shalom Harlow’s individuality fueled his runway passion. Their essence, combined with his unique flair, promised an electric presence.

The Path Ahead
Every journey offers invaluable insights, especially one as kaleidoscopic as this. His biggest? “Collaboration over competition.” In a cutthroat world, this refreshing perspective is evidence of his Canadian upbringing, where collective efforts often outshine individual pursuits.
With Paris behind him, London beckons. But this isn’t about hopping from one fashion capital to another. It’s about etching his legacy, about turning every moment into a statement.

As I closed the email, the world outside had transitioned from a golden dusk to a starry night. This tale was more than just a journey from the digital screens of Canada to the Parisian runways. It was about metamorphosis, resilience, and the undying spirit of fashion. With the digital age forging surprising and unexplored paths, here’s to more such tales, where dreams aren’t just woven in ateliers and crafted amidst the pixels and algorithms of our screens.